Progress of my work

Here you will get to know more about the way i draw and paint, how i decide what kind of paper or what material i use, whats important to know about different colours or materials. 

You will also find a little step by step explanation how i get from a simple sketch in the beginning to a finished portrait in the end.

Work with charcoal & pastel

If you decide for a big size drawing (from DinA3 and more) then charcoal or pastel is always the best choice. For smaller ones I suggest pencil or ink coz it's difficult to draw details with charcoal and the special detail could get lost. 

If you like coloured style then pastel is the right choice.

Also auqarell mixed with pen or pastel is beautiful.

The same good choice for black & white is charcoal mixed with ink like in the drawing above to see.

Plain or Structured paper?

To get the best results in the smallest details i choose unstructured paper.

In the following pictures you can see the difference between plain and structured paper:


Step by Step to a charcoal portrait

In the following pictures I will show step by step how to get from a sketch with pencil (sepia brown when i use pastel or aquarell) to a finished portrait drawn with charcoal. 

Before i start with a pencil very soft to draft i need a very good photo in a size that i can see the pupil of the eye. Then i point the places on the paper and sketch the right propertions.

I do that till i'm satisfied with the result and till i can see the sketch looks nearly the photo.

 

 

 

Then i start in the left upper corner to draw with light dark charcoal along the pencil lines. 

This drawing shows 4 faces (usually i have only one to draw). But the procedur is always the same - draw with charcoal and then smear it with fingers, create shades until the lines look not that hard anymore.

In this drawing i have to do 4 times - draw and smear... so i start in the left upper corner the same way i use to write... - left - right and then under till its done as you can see in the photos below.

Now i do the same step by step with dark black charcoal...just with more attentions to the details.

My hand i put on another paper for more balance without that i could smear by accident the charcoal that got already drawn on paper.

Now it's almost finish.

Just the "lights" need to get placed. The "lights" are all those parts, usually shined on by light. this is it what makes it look three dimensional - for example the sparkle in the eyes or the shine in the hair or lighten places in the face etc.

This i do with an eraser for charcoal... something a bit like plasticine...just that it takes the charcoal off from the paper till it looks alive.

 

 

Now i spray it to fix the charcoal on paper for no smearing anymore and to protect the portrait from UV light.

Just a half hour to dry and the portrait is waiting to get packed and shipped :)

work with aquarelle / water colours

With watercolors the paper thickness is very important so waved paper can be prevented by using more water.

I use always paper stengh of at least 190g/㎠

It makes sense to use cardboard.

Also canvas paper or even stretched canvas offer a good alternative, especially if you want to dispense with a framing.

Lightfast colors ensure that sun rays do not bleach your image. You have more pleasure in bright colors.

Before I begin with the watercolors I draw a sketch with sepia as the brown color (as opposed to pencil or charcoal) in conjunction with water creates no gray veil, and an image in warm colors will not get spoiled.

 

In this nude I have also used sepia brown tone for the sketch and then connected with water and the other warm aquarell colors.


Illustrations & Cartoons

Illustrations and cartoons I always draft with pencil.

Often I create several sketches for orientation before I decide on a variant.

Is the pencil drawing complete, I use a gel or ink pen along the pencil lines.

Should the image to be colored, I tend to use crayons, wax crayons or watercolors.

In the latter, I paint along the pencil lines at the very end, in order to avoid mixing ink or gel pen with water colors.


Oel & Acrylic

With oel and acrylic I paint on canvas, canvas paper and hardboard.

Compared to oil work I prefer the painting with acrylic.

Oil paintings very often have up to a year to dry till a special final varnish can be applied.

If speed up the process too much, it can cause the color to tears. It can also look splitted if the varnish gets used too soon.

Even without varnish oel needs way longer to dry than acrylic. It is not recommended for "urgent" orders.

Acrylic serves the same purpose and is also health-friendly and more eco-friendly than oel.

 

The left image below is an acrylic-sepia mix and the right image an oel painting.

 


I work with acrylic or oil, I first sketch with charcoal or sepia.

Usually I use no more than 5 colors to paint with.

I mix them together, light up with white or dark it with a very dark brown or black (depending on whether the image is to get a warm or cool tint).

As you can see from this example, I only have blue, green, yellow and umber (brown color) used here.

 

If the painting is dry i overpaint with a special varnish.

But for this it must be absolutly dry coz otherwise the colors could look splitted while drying ahead.